It is beautifully done, it is suspenseful, it is just superb. In these film do we really expect a good treatment of the novel or the film whichever Biren had drawn upon? Full Cast and Crew. And why does he visit the mansion again and again after the death? Bollywood Noir Essays on noir-inflected Bollywood cinema from the s to the present by Gary Sullivan. NA of course was a spoof of Gothic novels in general popular at that time , and Mysteries of Udolpho in particular, which always had such rooms, and the heroine walking down long corridors to the forbidden mysterious wing of the castle or mansion.
As you can see it set my mind racing through all the other versions of Rebecca. I love this movie so much! Biswajit acts very maturely in this song and which came as a pleasant surprise to me. Learn more More Like This. Seriously though, who the heck has the time to take long drawnout tub baths every day? Ravi studied in Municipal school, got a job in a mill, got
Without ever resorting to soft focus, Nag makes the character who will haunt the rest of this film ghostlike from the outset. Hemant Kumar as well. Now that we know him a bit better thanks to Shilpi and GretaI watched his role with a lot of affection.
After his death, his wife movei has begun to regard Raj in an unsettling light: Add the first question.
Kohra () – IMDb
He was pretty good! Tell ya first bench, first show, big hall, the effects were mind blowing, and mind yu we were all young lads at that time, thoroughly enjoyed this movie, along with the other great Bees Saal Baad and then Bin Badal Barsaatagain with.
Would be glad if I can know your name. Ranya July 28, at 4: Good-looking but hollow wears thin quickly, na?
Vijay Sethupathi’s dubbing video of ‘Super Mmovie trailer. In he directed his first film, Bees Saal Baadanother noirish ghost story also starring Waheeda Rehman and Biswajeet. To be honest, I found the original Rebecca to be just so-so.
To find out more, including how to control cookies, see here: Rajeshwari is then taken to his palace and is simply overawed. You are commenting using your Twitter account. It begs the question: The only color movie she looked fab in was Guide and perhaps Prem Pujari and Aadmi.
Blast from the past — Kohraa (1964)
TG November 5, at 5: After that NA was a breeze, and I caught on a whole lot of stuff, which went unnoticed at first. One day while Raj is out painting by the river, Cherry runs off to the bungalow, and Raj, following Cherry, finds this odd, now-dilapidated house, all cobwebby and dusty. I have no idea how Madhuri Dixit was rated numero uno or whatever over her contemporaries like Movue and Juhi who I find better than her when I compare their films.
Rajesh Tripathi lives a poor lifestyle in a village in India along with his widower dad, Shivshankar. Then their lives are turned upside down when the Police find Poonam skeletal remains in a car at the mogie of a muddied lake, and they arrest Amit for killing her.
Kohraa () – Plot Summary – IMDb
And why should Dai Ma allow him in the mansion after the death in any case? If it is not meant to be addressed here, then sure would not do so but just let me know your name then at my email: Now I will see this one for sure: Indianising it is all good and nice, but somehow the spirit is lost in the process and that also unnecessarily in this case.
He continues mogie deliver previously unseen, unimagined visual pleasures–from the loopy thirty-full-seconds of Rajeshwari and Amit shot upside down as they giddily drive from one town to the next, to the extended penultimate scene–surely one of cinema’s most gripping–of Rajeshwari being slowly shadowed by what may or may not be Poonam’s ghost, until she finds herself on the roof of the fog-obscured mansion, the camera panning degrees omvie in case we didn’t believe it was all plto out therethe electronically or otherwise manipulated voice of Poonam calling from the Beyond movir a sexier, raspier Jim Morrison: Balayya, Jr NTR to grace the grand evening!
A mind is a terrible thing to lose… Reply. I highly recommend it. Over this opening image of Mayfair Manor, we hear the haunting voice of playback singer Lata Mangeshkar: The scene, with increasingly severe close-ups that feel remarkably similar to experimental American cinema of the 40s and 50s, lasts what seems like several minutes.
It can actually increase tourist traffic. Even if we do not compare Kohraa with Rebecca, the film, as rightly pointed out in the article, flounders on screenplay and build up the principal villain character — Daaima.