JERRY BERGONZI VOL 7 HEXATONICS PDF

JERRY BERGONZI VOL 7 HEXATONICS PDF

Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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They are easy to think of and combining them is an accessible task for the soloist.

On a minor 7th chord, the upper Wad sounds the 9, n 1 and Have each hexatonic be 1 bar, 2 bars or 4 bars each. Have each hexatonic 1 bar,2 bars or 4 bars each. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “.

Serious Resources for Serious Players View my complete profile. Many modern piano players use hexatonic voicings by stacking the triads to create aparticular harmony.

Jerry Bergonzi – Inside Improvisation Vol. Jeri Bergonzi edited and wrote the text. Like a blues scale, in the wrong hands this could be devastating!

Casa Valdez Studios: Jerry Bergonzi’s approach to Hexatonics

It has a nice “bluesy” flavor, too. The book is big and just shy of pages. This sounds highly worthy of investigation, when I get done working with Compound Intervals. He doesn’t write about why he presents the material hexatonicw a certain order. George Coleman on YouTube Textural variety for improvisation the search continues D7l19 B ‘ D G7 Ct. G-7 7 Hexatonics in parenthesis create a higher degree of tension.

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The “stand alone” sound is oftentimes enough to make a strong, effective melodic statement regardless of how it is or isn’t relating to the harmony over which it is being used.

This hexatonic can be played over many different chords.

This book is a great way to learn a to use a modern and usually confusing harmonic device for improvising over chord changes. Some of the hexatonics presented in this book sound quite exotic and require attention to get in your ear.

Bergonzk that sometimes the hexatonic includes an avoid note. This effect is multiplied when the triad pair is used over a root tone that is not present in either triad.

Eb Real Book 5th edition Vol. Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra When the e triad is voiced on top bergozni creates minor ninth intervals which are dissonant. Also, does Bergonzi basically cover all of the material in the Campbell book or are they complementary?

Try applying any of the hexatonics to progressions 13 and When the box with the book finally came I thought that the distributor got my order wrong because it came in a big and very heavy box.

There are numerous hexatonic scales.

Nevertheless, it is a good way to practice in order to make it your own. So, when the same hexatonic in one place is referred to as “G: For example, over the C-7 chord, try any these hexatonics: Rather than practice all of them, select a few, and play them in all keys in order to gain flexibility with these hexatonics.

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Adam Roberts for help on the book. The chords in parenthesis are optional as they create more of an altered sound.

Try it, you might like it! Jerry Bergonzi Vol 3 Jazz Line One way to create a hexatonic scale is to combine the notes of two triads that don’t have any common tones.

Jerry Bergonzi Vol 7 – Hexatonics

Thousands of pages of Jazz transcriptions! This vergonzi over major hexatonic can fit over many chords. U 1’1 ttl “-” “I Eb Real Book 5th edition Vol.

To write it down or to give it a name, we will call it D triad over C triad. On some of these chords we are allowing much leeway. The sixth hexatonic is two minor triads a whole step apart.

The built on these two augmented triads follows a pattern of minor third, half step, minor third, half step, etc. D triad over e triad can be written and played in any inversion, for example: