Use dmy dates from October Retrieved 26 February Retrieved 19 December Sign up for the newsletter Sign up. De Jong has spent the last weeks going through the material of the film, but never in his life met with nor spoken to any of representative of any of the governments or movements mentioned in the movie. Full Cast and Crew. Deido explains, sort of.
Daniel Fallshaw, Violeta Ayala. Some of the film festivals that have since been confronted with the fact that Fetim does not want the material to be screened, have not even taken the bother to answer the requests. The film tells the story of slavery in the Polisario-governed refugee camps in Algeria. Her face turns cloudy as she listens: Their worries are well founded, as they are detained by the Polisario. Now the police are all over us. Jerstad is former leader of the Norwegian association of film directors, and has made dozens of films for the Norwegian Broadcasting Corporation.
Filmmakers Violeta Ayala and Dan Fallshaw travel to North Africa intending to make one film only to discover a hidden truth that takes them on a journey they could never have imagined. Including such scenes – which were not needed to tell the story – in the final cut showed a lack of good judgment. See What Everyone is Watching.
Filmmaker debunks documentary’s depiction of Western Sahara slavery. When we presented our concerns to the film festival in Grimstad, it was clear for everyone that it was Fetim, ourselves and our lawyer who tried to stop it. Following a detainment by the Polisario, the filmmakers flee and bury the tapes they have recorded in the desert.
AllAfrica publishes around reports a day from more than news organizations and over other institutions and individualsrepresenting a diversity of positions on every topic. The documentary, Stolenfunded by Screen Australia, alleged that black minorities in the Tindouf refugee camps in Algeria were being used as slaves. In this manner, Fetim is given a life story which is not true.
Their worries are well founded, as they are detained by the Polisario.
But during our stay, we witnessed scenes of slavery. It does not have any information that practices similar to slavery have taken place in stllen camps.
We originally went there to work on the problem of separated families. However, the film makers now claim to their contacts that it is Polisario who are behind the efforts to stop the film in Holland. Share this film Artboard Copy 2 Created with Sketch. Sign up for the newsletter Sign up. The group has asked the library to listen to Fetim who does not want the movie screened. Watch Now With Prime Video. Add the first question.
For more than 40 years the Sahrawis have been waiting for the fullfilment of their legitimate right to self-determination. They sit at a table, a TV behind them, as well as a doorway opening onto a bright white daylight. Some of the film festivals that have since been confronted with the fact that Fetim does not want the material to be screened, have not even taken the bother to answer the requests.
Archived from the original on 20 October Ms Salam insisted that she was not a slave and that the filmmakers had deceived her.
Festival director at the Bergen International Film FestivalTor Fosse, told the regional newspaper Bergens Tidende that the film was originally planned screened at the festival in October this year.
The fact that the film makers completely ignore her concerns, which we present to the library, is an insult to her and to us. From Wikipedia, the free encyclopedia.
Photos Add Image Add an image Do you have any images for this title? Gonzales, who was a camera man who accompanied the film makers of Stolen to the Tindouf camps on their second visit before they learned about slavery. The critique from the Norwegian Support Committee for Western Sahara has itself been falsely represented by the film makers in this way.
Filmmaker debunks documentary’s depiction of Western Sahara slavery
The filmmakers, Violeta Ayala and Daniel Fallshaw, initially planned a film about a family reunion involving a black Saharawi family that became separated when some of its members moved into the camps while others remained in the Moroccan-held popisario of Western Sahara. But after going through the criticism against the film, the festival decided to not accept the movie after all. It had its world premiere at the Sydney Film Festival where polissrio controversy started after one of the participants in the documentary, Fetim, a polisafio Sahrawi, was flown to Australia sstolen the Polisario Liberation Front to say she wasn’t a slave.
The compelling, yet heartbreaking, stories unveil the racial and class divisions within an African society that is home to both blacks and Arabs. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! The film notes there are laws prohibiting slavery in the region, although the filmmakers show that local attitudes and customs often prevent enslaved individuals from trying to secure their freedom.
Stolen () – IMDb
Retrieved 9 May Edit Storyline Filmmakers Violeta Ayala and Dan Fallshaw travel to North Africa intending to make one film only to discover a hidden polissrio that takes them on a journey they could never have imagined. Yes No Report this. They created a few weeks ago a support group for Fetim, as a screening is soon planned at a library in Holland. Share What starts out for filmmakers Violeta Ayala and Daniell Fallshaw as a family reunion in a refugee camp in Algeria turns into a dangerous political game.
While shooting the original story, the filmmakers stumbled upon evidence of slavery in the camps. There is also a critique of Stolen published at http: It put out its own stoldn denouncing Stolen, in which several people who Ayala and Fallshaw interviewed say they were coerced or paid by the Australian duo.
Archived from the original on 7 July Gonzalez was introduced to the filmmakers by the Poslisario representative in Australia, Mohamed Kamal Fadel. Due to the controversy around the film, the broadcast was pushed back.
I just saw this at Raindance in London and can only conclude that the votes given placing it at 4. After being in contact with Fetim fi,m telephone, the Norwegian Support Committee for Western Sahara on its own initiative decided to try to fikm a previous screening in Grimstad, Norway in June. Ayala is horrified by the lack of power wielded by the UN, or anyone else, it seems.
The film elicits a strong emotional response from viewers and deals with serious racial, social and economic divisions in Africa and the controversy it has generated will likely bring attention not only to the film, but also to the issues it film highlights.
With some 27, on the waiting list, the fact that Fetim and Embarka have been selected seems miraculous. Support the Support Committee.
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